Archive for January, 2007

Infamous

Music Composed by Rachel Portman
Rating: ** 1/2

It’s not uncommon for two studios to release competing versions of the same genre film, but it’s rare when the two films are so specifically identical. Between 2005 and 2006, we not only get two biopics about Truman Capote, we get two biopics about Truman Capote’s relationship with [...]


Serenada Schizophrana

Music Composed by Danny Elfman
Rating: *****


Oscar noms for Music categories in

Music (Score)Babel – Gustavo SantaolallaThe Good German – Thomas NewmanNotes On A Scandal – Philip GlassPan’s Labyrinth – Javier NavaretteThe Queen – Alexandre Desplat
Music (Song)“I Need To Wake Up” – An Inconvenient Truth“Listen” – Dreamgirls“Love You I Do” – Dreamgirls“Our Town” – Cars“Patience” – Dreamgirls


'Best Music' Oscar noms for '06

Here are the music nominees for the 2007 Academy Awards. Academy favorite Thomas Newman gets another ‘Best Score’ nod, with last year’s winner Gustavo Santaolalla returning to the big show with his sparse score for Babel. These are the first nominations for Javier Navarette and Alexandre Desplat. Congratulations to Milan Records, who [...]


Score one for the team

The once-solitary job of film scoring is becoming a collaborative effort.By Jeff BondJan 5, 2007
(via The Hollywood Reporter) As most filmmakers will attest, making movies is an immensely collaborative process. While producers, directors and writers often end up getting the lion’s share of the credit when a film succeeds, the reality is that great movies [...]


Thinking in Colors and Textures, Then Writing in Music

By JON BURLINGAMEPublished: January 7, 2007(From The New York Times)
The trouble with Hollywood film scores these days is that so many sound as if you have heard them before. That’s less the fault of composers than of directors, who commonly prescore their films with temporary music during editing, then frequently expect the final score to [...]


Desplat: Thinking in textures & colors

Thinking in Colors and Textures, Then Writing in Music, By Jon Burlingame, Published: January 7, 2007 (From The New York Times)
“The trouble with Hollywood film scores these days is that so many sound as if you have heard them before. That’s less the fault of composers than of directors, who commonly prescore their films with [...]


"Movie and music: It's a package deal"

Director Tom Tykwer knows the score — because he wrote it. His latest film is “Perfume.”By Richard Knight Jr., Chicago Tribune
“There are a lot of renowned collaborations between film directors and their favorite composers — Steven Spielberg and John Williams, Alfred Hitchcock and Bernard Herrmann, Tim Burton and Danny Elfman. But it’s rare to find [...]


END TITLES:

FOLLOW:
LEGAL STUFF:

All original text, original artwork © 2010 Ryan Keaveney. All other materials presented here for promotional purposes only. No part of this website may be reused or copied without written permission from the author.